Audio-Technica ATH-ADX7000 vs Sony WH-1000XM4 | TechTalkTown
Audio-Technica ATH-ADX7000 vs Sony WH-1000XM4
Audio-Technica ATH-ADX7000
Audio-Technica
8.5
Audio-Technica's best open-back yet — flaws and all
Sony WH-1000XM4
Sony
8.7
Still a noise-cancelling value champion
Audio-Technica ATH-ADX7000
What Reviewers Agree On
A warm, bass-forward yet open and spacious sound — reviewers agree the ADX7000 abandons the bright, polarising ADX5000 house tuning for something far more broadly appealing
Exceptionally lightweight at ~270-275g, with a magnesium-alloy frame that makes it one of the lightest flagship open-backs available
Genuinely surprising bass impact and weight for an open-back — punchy and textured, with a gentle roll-off below ~50-70Hz
An immense, holographic soundstage with clean imaging and layering that holds up on busy mixes
Two earpad sets (velvet and Alcantara) meaningfully change the tuning — effectively two headphones in one box
Pros & Cons
Audio-Technica ATH-ADX7000
Pros
A warm, bass-forward yet open and spacious sound — reviewers agree the ADX7000 abandons the bright, polarising ADX5000 house tuning for something far more broadly appealing
Exceptionally lightweight at ~270-275g, with a magnesium-alloy frame that makes it one of the lightest flagship open-backs available
Genuinely surprising bass impact and weight for an open-back — punchy and textured, with a gentle roll-off below ~50-70Hz
An immense, holographic soundstage with clean imaging and layering that holds up on busy mixes
Detailed Comparison
Sound Quality
Audio-Technica ATH-ADX7000
Reviewers describe a deliberate break from Audio-Technica's bright W-shaped house sound: the ADX7000 is warm and bass-forward yet stays open and uncongested, with an immense soundstage and strong dynamics. The treble is the one polarising element, varying from listener to listener.
The ADX7000 abandons the bright, polarising W-shaped tuning of the ADX5000 and ADX3000 for a warm, neutral-leaning balance that reviewers call far more broadly appealing.
Bass is the biggest surprise — punchy, textured and weighty in a way that is 'typically unheard of in open-back headphones,' with a gentle roll-off below roughly 50-70Hz.
headphones.com calls the bass straight-up better than the open-back flagships from Audeze, HIFIMAN or Meze — mid-bass/upper-bass centric, full and never congested against the open background.
The midrange is vibrant, clean and natural, with a tasteful upper-bass lift that gives male vocals extra presence without sounding overcooked.
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An uneven treble response with a notable ~8kHz dip and a ~10-11kHz peak that varies significantly between listeners
The 490-ohm impedance demands a capable desktop amplifier to perform at its best
Limited sub-bass extension — not for listeners who want deep, rumbling low-end
Sony WH-1000XM4
Pros
Class-leading active noise cancellation (QN1 processor + dual mics per cup), adaptive to your activity and location
Excellent, customisable sound with LDAC, DSEE Extreme upscaling and a capable app EQ
Exceptional all-day comfort and an understated, lightweight design carried over from the much-loved XM3
Strong 30-hour battery (ANC on) with a 10-minute quick charge giving ~5 hours of playback
Genuinely useful smart features — Speak-to-Chat auto-pause, wear detection, Quick Attention and multipoint pairing
Outstanding value now that prices have fallen well below the $349 launch — still a top recommendation years later
Cons
Mediocre microphone/call quality — barely better than the XM3 and frustrating for conference calls
Multipoint disables LDAC — you can't have two-device pairing and hi-res audio at once
No aptX and no IP water/sweat rating; not recommended for running or heavy gym use
Some long-term units develop a piercing feedback noise in one cup in ANC mode (moisture/sweat on the mics over years)
Sony doesn't sell official replacement ear cushions, a wear-and-tear item on a long-lived product
audio46 found the midrange transparency a highlight, with vocals sitting dead-center and 'singing right in front of you' while everything else filters behind.
The soundstage is unanimously praised as immense and holographic, with imaging that locks into place and layering that survives busy mixes — 'easily flagship-level.'
Dynamics and physical note impact are a standout — ecoustics describes a rare 'wow' moment where you not only hear the note but sense the air being moved.
den-fi found dynamics outstanding enough to make the Focal Utopia 'sound like it's been usurped,' and rated the ADX7000 among the most resolving headphones he has heard.
Treble is the polarising element: headphones.com hears narrow-band peaks and a noticeable 8kHz dip plus a 10kHz peak that makes hi-hats splashy and 'T' sounds sharp on bright recordings.
ecoustics heard the opposite — a smooth, clean, glare-free treble — and notes the ADX7000 seems to react to individual ear anatomy more than most.
The Headphone Show was the dissenting voice, finding the mid-range overshadowed by excessive upper bass and treble features, and said it would struggle to recommend the headphone over many cheaper rivals.
Den-fi rates the treble as legitimately his favorite on any headphone — clean and resolving without the upper-treble boost he finds fatiguing on most modern flagships.
Sub-bass is the clear limit — reviewers agree planars like the Audeze LCD-5 dig deeper, and the ADX7000 is not built for 20Hz rumble.
Sony WH-1000XM4
A judicious, confident sound with LDAC hi-res, DSEE Extreme upscaling and 360 Reality Audio support — widely praised, with the main critique being a slightly bright top end that some EQ to taste.
As far as sound goes the XM4 needs very few excuses made for it — a confident top end and a judicious overall balance.
Updating the QN1 chip algorithm and improving digital sound processing elevates the XM4 from great to superb over the XM3.
40mm drivers deliver rich, not overly bass-heavy sound; bass lovers can add thump easily in the app EQ.
Supports LDAC and 360 Reality Audio; DSEE Extreme upscaling exists but the difference on/off can be hard to hear.
Reddit owners' take: not 'the best' at any one thing, but it does everything right and sounds more than good enough once EQ'd.
Versus the XM5: the XM4 is brighter with more vocal 'bite/sizzle', while the XM5 is warmer with more sustained bass — and the XM4 can get a touch boomy at 100-200Hz.
Comfort & Design
Audio-Technica ATH-ADX7000
The ADX7000's headline is its remarkable ~270-275g weight, achieved with a magnesium-alloy frame and a fully open honeycomb chassis. Reviewers split on comfort: the light weight and plush velvet pads are praised, but the thinly-padded dual-rod headband draws consistent criticism for top-of-head hotspots.
At 275g with velvet pads (270g with Alcantara), reviewers call it exceptionally lightweight for a flagship — it 'practically disappears' on the head.
headphones.com praises Audio-Technica for resisting the industry habit of adding weight to feel 'premium' — the light chassis makes the ADX7000 less obtrusive and more immersive.
The frame is magnesium alloy with an aluminum housing, hand-assembled in Japan, with a stripped-back utilitarian aesthetic reviewers find handsome rather than gaudy.
The fully open honeycomb-punched grille exposes the 58mm driver, placing little between the diaphragm and the outside world for a true open-air presentation.
Two sets of earpads ship in the box — high-density velvet for a warmer, balanced sound and Alcantara for a brighter, more analytical tuning — effectively two headphones in one.
The thinly-padded dual-rod headband is the most consistent comfort complaint — ecoustics found a hotspot 'blooms' on the top of the head after about an hour.
headphones.com calls the headband's two narrow contact points a 'when, not if' for hotspots, but notes it can be physically bent by the user to redistribute weight and adjust clamp.
Moon Audio's reviewer disagreed on the headband, finding it 'surprisingly comfortable' despite the lack of cushion thanks to the minimal clamping force.
audio46's reviewer, a glasses-wearer, found the ADX7000 comfortable for hours without fatigue — notably better than the ADX5000 or ADX3000 with glasses.
den-fi calls the ADX7000 one of the most comfortable headphones he has worn since the 195g Sony MA900, noting the out-of-box clamp runs a bit tight on large heads but the headband bends easily.
Sony WH-1000XM4
The XM4 keeps the XM3's understated, lightweight design and superb comfort for long sessions, folds for travel and ships with an excellent hard case — the build holds up for years, with warm ears the only common gripe.
Design tweaks make the XM4 look slightly more lux and even more comfortable to wear for long stretches than the XM3.
Comfortable enough for full workdays — barely noticeable where other headphones bother the ears after 20 minutes.
After a year of heavy use the wear-and-tear is essentially non-existent and they don't wear you out — superb value.
Lighter than the AirPods Max with a much better hard carrying case; folds flat for travel (the XM5 does not).
Like most over-ears in this class the faux-leather pads aren't very breathable — ears get warm after about 6 hours.
Value vs Competition
Audio-Technica ATH-ADX7000
At $3,499 the ADX7000 sits squarely in flagship territory against the Sennheiser HD 800S, Focal Utopia, and HIFIMAN/Meze planars. Reviewers are unusually positive on its value-for-money — several call it one of the few flagships whose sound genuinely justifies its price.
The ADX7000 launched at $3,499, replacing the $2,000 ADX5000 as Audio-Technica's open-back flagship — a complete rethink rather than a modest upgrade.
headphones.com calls it one of the very few headphones it has heard at this price 'that has a sound that actually makes sense for that price.'
Versus the Sennheiser HD 800S, den-fi found the HD 800S sounds too distant with a more dipped upper-midrange — and that the ADX7000 exposed the Sennheiser's treble as 'unimpressive.'
audio46 frames it as the HD 800S detail experience with the bass the Sennheiser lacks — and more frontal midrange clarity than the bassy Meze Elite or Audeze LCD-4z.
Versus the Focal Utopia, den-fi found the ADX7000 noticeably more dynamic and resolving than the 2022 Utopia, and 'a triumph' next to the Utopia's one-note bass and wall-of-sound presentation.
headphones.com calls the $3,499 ADX7000 the better all-around headphone than the ~$2,000 HEDDphone TWO GT — lighter, more spacious and more listenable despite costing ~$1,500 more.
Within Audio-Technica's own range, Major HiFi positions the ADX7000 as the choice for pure detail, neutrality and top-tier technical ability, with the easier-driven ADX5000 the more accessible pick.
The Headphone Show is the value sceptic — it would take many cheaper headphones before the ADX7000, calling it hard to recommend at its flagship price.
den-fi's verdict was his 'most effusive review ever' — he liked the ADX7000 enough to buy a pair, calling it worthy of the title 'flagship.'
Sony WH-1000XM4
Launched at $349 alongside the XM3's price, the XM4 is now routinely $198-260 — making it, years on, one of the best-value premium ANC headphones and a frequent pick over the pricier XM5.
Launched at the same $349 price as the XM3 did — and is now frequently discounted well below that.
Among the most popular and well-regarded wireless headphones you can buy; the XM5 is a premium upgrade at a more premium price.
Even 5+ years on, with a ~$250 price gap to the XM6 and street prices under $200, the XM4 remains excellent value and many prefer it to the XM5.
Now around $250 new / ~$200 used — more affordable than ever and a fantastic option, especially refurbished.
The staple recommendation for the average buyer — still ~$50 cheaper than the XM5 and they fold, which the XM5 doesn't.