Audio-Technica ATH-M50xEnso vs Sennheiser HD 505 | TechTalkTown
Audio-Technica ATH-M50xEnso vs Sennheiser HD 505
Audio-Technica ATH-M50xEnso
Audio-Technica
8.1
The studio-monitor icon, in a 10th-anniversary suit
Sennheiser HD 505
Sennheiser
8.3
An affordable on-ramp to the legendary Sennheiser house sound
Audio-Technica ATH-M50xEnso
What Reviewers Agree On
The Enso is a 10th-anniversary special edition built on the unchanged ATH-M50x platform — same 45mm driver, same closed-back design, returning to a classic all-black look with a white circular 'Enso' brushstroke
Delivers the M50x's signature punchy, detailed, fun sound that made the line famous — engaging for music, content creation and casual gaming
Fully passive wired headphone: no battery, no Bluetooth and no ANC, so it never needs charging and works with virtually any source
Comfortable for multi-hour sessions thanks to memory-foam pads, a secure-not-tight clamp and 90-degree swivelling ear cups for one-ear monitoring
Solid, proven build with detachable cables — a damaged cable can be swapped rather than replacing the whole headphone
Pros & Cons
Audio-Technica ATH-M50xEnso
Pros
The Enso is a 10th-anniversary special edition built on the unchanged ATH-M50x platform — same 45mm driver, same closed-back design, returning to a classic all-black look with a white circular 'Enso' brushstroke
Delivers the M50x's signature punchy, detailed, fun sound that made the line famous — engaging for music, content creation and casual gaming
Fully passive wired headphone: no battery, no Bluetooth and no ANC, so it never needs charging and works with virtually any source
Comfortable for multi-hour sessions thanks to memory-foam pads, a secure-not-tight clamp and 90-degree swivelling ear cups for one-ear monitoring
Detailed Comparison
Sound Quality
Audio-Technica ATH-M50xEnso
The Enso inherits the M50x's signature sound completely — a punchy, detailed, slightly V-shaped tuning that is fun and engaging for everyday listening but not perfectly neutral for critical mixing. The 45mm driver is unchanged from the standard model.
The Enso still delivers the punchy, detailed sound that made the M50x famous — its signature has not been retuned for the anniversary edition.
It delivers an impactful and fun sound that many people love for listening, but that same punchy tuning can compromise neutrality when you need accuracy.
The tuning is mildly V-shaped — fairly accurate bass with a slightly 'fun' lift and a treble emphasis that spices up female vocals, which is actually useful for catching flaws in audio engineering.
RTINGS measures decent reproduction accuracy with a generally balanced response — clear, natural vocals and instruments and low enough harmonic distortion that even trained listeners won't notice timbral coloration.
TechTalkTown may earn a commission from purchases made through links below. As an Amazon Associate I earn from qualifying purchases. This does not influence our reviews. Learn more.
Easy to drive at 38 ohms — reaches full, satisfying volume straight from a phone or laptop with no separate amp required
Deal Breakers
Nothing about the sound, drivers or build has actually changed from the standard M50x — the Enso is a cosmetic anniversary edition, not an upgrade
The punchy V-shaped tuning is not perfectly neutral, so it can misrepresent elements for critical mixing and mastering
The closed-back pads trap heat and the vinyl wrap can feel tight, so ears get warm over long sessions and glasses-wearers may find the clamp uncomfortable
The bundled drawstring pouch only guards against scrapes — there's no proper protective hard case for travel
Sennheiser HD 505
What Reviewers Agree On
Delivers the classic balanced, midrange-forward Sennheiser house sound with a wider soundstage than the HD 600-series
Exceptionally light (237g) and comfortable for long listening sessions, with gentler clamp than older Sennheisers
Modular HD 500-series design with user-replaceable earpads and a detachable, twist-lock cable for easy repair and longevity
Easy to drive — runs loud from a simple USB-C dongle or laptop jack, though it scales with a dedicated amp
Strong value as an entry point into open-back audiophile listening at a $250 launch price
Deal Breakers
The older HD 6XX / HD 600 sits at a similar street price and is still widely called the better-value pick
A treble peak around 6-8 kHz can sound bright or slightly fatiguing on hi-hats and cymbals for some listeners
Open-back design leaks sound both ways — useless for commuting, offices or any noisy environment
Build is functional plastic rather than premium, which some buyers expect more of at this price
Solid, proven build with detachable cables — a damaged cable can be swapped rather than replacing the whole headphone
Easy to drive at 38 ohms — reaches full, satisfying volume straight from a phone or laptop with no separate amp required
Cons
Nothing about the sound, drivers or build has actually changed from the standard M50x — the Enso is a cosmetic anniversary edition, not an upgrade
The punchy V-shaped tuning is not perfectly neutral, so it can misrepresent elements for critical mixing and mastering
The closed-back pads trap heat and the vinyl wrap can feel tight, so ears get warm over long sessions and glasses-wearers may find the clamp uncomfortable
The bundled drawstring pouch only guards against scrapes — there's no proper protective hard case for travel
Sennheiser HD 505
Pros
Delivers the classic balanced, midrange-forward Sennheiser house sound with a wider soundstage than the HD 600-series
Exceptionally light (237g) and comfortable for long listening sessions, with gentler clamp than older Sennheisers
Modular HD 500-series design with user-replaceable earpads and a detachable, twist-lock cable for easy repair and longevity
Easy to drive — runs loud from a simple USB-C dongle or laptop jack, though it scales with a dedicated amp
Strong value as an entry point into open-back audiophile listening at a $250 launch price
Cons
The older HD 6XX / HD 600 sits at a similar street price and is still widely called the better-value pick
A treble peak around 6-8 kHz can sound bright or slightly fatiguing on hi-hats and cymbals for some listeners
Open-back design leaks sound both ways — useless for commuting, offices or any noisy environment
Build is functional plastic rather than premium, which some buyers expect more of at this price
The frequency response runs slightly conservative below 100Hz and rolls off more than ideal below 40Hz, giving a flatter, studio-leaning curve rather than a deep sub-bass.
If you're after completely faithful reproduction for mixing, mastering or critical listening, the M50x's big bass plus crisp treble flavour can misrepresent certain elements of a recording.
Audio Science Review notes it takes a little modding — aftermarket velour pads and EQ — to get the full potential out of the M50x, but the result is worth the effort.
Sennheiser HD 505
The HD 505 carries the signature balanced, midrange-led Sennheiser tuning into an affordable open-back, adding a touch more bass warmth and a wider soundstage than the HD 600-series. The main critique is a treble lift around 6-8 kHz that some listeners find bright.
Sennheiser tuned the HD 505 to capture the best virtues of several HD 500-series models with no undesirable changes from the broader lineup.
It presents Sennheiser's signature balanced sound — the tuning targets a more analytical output rather than beefy bass or tight treble.
The midrange is the standout — for Sennheiser, 'normal' midrange means it is better than 99% of headphones on the market.
Imaging is precise and the sound stretches out to the sides rather than feeling like speakers smashed against your ears.
The 505's voicing keeps the spirit of the legendary HD 600 but with a wider soundstage — a serious-performing way into the hobby without spending a ton.
Treble does its job keeping things clean and energetic, but gets a little bright around 6-8 kHz on hi-hats and cymbals — a glare the HD 600 doesn't have.
There is a subtle papery or dry quality to acoustic guitars, likely an elevation somewhere between 4-6 kHz.
Versus the HD 550, the 505 is broadly in line up to ~8 kHz but the 550 has even more bass below 80 Hz — about a 5% sound difference overall.
Sennheiser is not known for thumpy, hard-hitting bass — the lower mids and subbass come in fairly nicely, but bass-focused listeners may want more.
The HD 505 takes EQ well — boosting it in an equalizer keeps bass and subbass prominent while staying clear and well-separated from other frequencies.
Comfort & Design
Audio-Technica ATH-M50xEnso
The Enso's headline change is purely cosmetic: an all-black finish with a single white circular 'Enso' brushstroke marking 10 years of the M50x. Underneath, it is the same plastic-and-metal closed-back build — comfortable for a couple of hours, with swivelling cups and a flimsy pouch.
The Enso marks the 10-year anniversary of the M50x with a fresh minimalist design — an all-black finish with a styled swirling accent that honours Japanese artistry.
Audio-Technica describes the Enso as a return to the original sophisticated all-black colourway after years of varied limited-edition designs, with the circle reflecting both that return and the iconic rings on the M50x.
The build itself doesn't change much for the Enso — it keeps the same swivelling ear cups and the proven M50x construction.
The mainly plastic body with metal-notched headband adjustments looks spectacular in its matte finish, with hinges that let the closed-back cups fold down for storage.
The memory-foam pads feel stiff initially but break in with use; clamping force is secure rather than overly tight, and it fits comfortably for a couple of hours.
The closed-back design, while excellent for isolation, can make the M50x feel a bit tight for some users, and the vinyl pads retain heat over long sessions.
The robust design includes 90-degree swivelling ear cups for easy one-ear monitoring — a practical touch for DJs, producers and engineers.
The included vinyl drawstring pouch mainly guards against surface scrapes — cheaper headphones often ship with better protective cases.
Hands-on with the limited edition: the soft pleather on the headband and ear cups feels great and the build quality looks genuinely solid in person.
Sennheiser HD 505
The HD 505 reuses the proven HD 500-series chassis: a featherlight 237g frame, cushy earpads and gentle clamp that make it one of the most comfortable open-backs in its class. The trade-off is a functional plastic build that doesn't feel premium.
Refreshingly light at 237g without the cable, with solid (if not premium) build and cushy earpads.
It largely sticks to the HD 500 series' tried-and-tested design, keeping it compatible with first- and third-party accessories.
Lighter and gentler than the HD 600 — it has the least clamp pressure on the table and is more comfortable than the rest.
In a minor upset, the HD 505 is more comfortable than the HD 600 thanks to slightly gentler headband compression plus its lighter 237g weight versus 260g.
The softer earpads give a better seal for larger ears and glasses wearers, though that matters less on an open-back.
Wired & Hi-Res Listening
Audio-Technica ATH-M50xEnso
The Enso is a fully passive wired headphone — no battery, no Bluetooth, no ANC. Its 38-ohm load drives easily from any device, the detachable cables can be swapped if damaged, and the wired link means zero latency and total reliability.
The Enso ships with two detachable cables — one straight and one coiled — and covers a 15–28,000 Hz frequency response from its closed-back dynamic driver.
At 38 ohms impedance the M50x gets full volume and good sound quality from almost any device, because it doesn't need much power to drive.
The headset doesn't need additional amplification — plug it into virtually any device and the volume will be sufficient.
Because it's wired with no Bluetooth or ANC, it can feel old-school in 2026, but the wired connection gives it a real advantage in latency and reliability.
Since it doesn't rely on batteries or Bluetooth, it's bound to outlast its wireless counterparts — good sound is timeless.
A bundled quarter-inch screw-on adapter lets it connect to audio interfaces, mixers and stereo receivers, and the detachable cables mean a damaged cable is cheap to replace.
It comes with an adapter to plug into audio interfaces or amplifiers — a really nicely rounded package for a wired headphone.
Sennheiser HD 505
As a passive open-back the HD 505 has no Bluetooth, battery or codecs — it is purely a wired audiophile can. It is easy to drive from modest sources but its modular, replaceable cabling and broad amp/adapter compatibility reward those who scale up.
Maintains a modular design with user-replaceable cables and earpads, like other 500-series models.
The drivers are angled to mimic nearfield speaker placement, aiming for better soundstage imaging.
It ships with a standard 3.5mm cable and a threaded 1/4-inch (6.35mm) screw-on adapter — the pack-ins make clear the headphones are the main event.
The detachable cable uses a twist-lock 2.5mm connector, so you can swap in a standard cable as a replacement or balanced upgrade — a plus for longevity.
It works with inline microphones and there's no shortage of first- and third-party accessories thanks to the HD 500-series compatibility.
Value vs Competition
Audio-Technica ATH-M50xEnso
As a collectible 10th-anniversary edition, the Enso's value rests on whether the artwork appeals — the audio is identical to the standard M50x. Reviewers still rate the M50x platform a strong wired buy, while rivals like the AKG K371 and Sennheiser HD 280 Pro / HD 58X compete hard on sound and comfort.
The Enso is positioned as a celebration of legendary performance with a new symbolic look and a level of rarity Audio-Technica hasn't offered in years — its value is partly collectible.
For its price and longevity, the M50x remains one of the best do-everything wired over-ear headphones you can buy.
RTINGS calls the M50x one of the best values on the market thanks to its strong price-to-performance ratio for critical listening.
The AKG K371 sells around the same price, follows the consumer target curve more closely, isolates slightly better and is more comfortable for glasses-wearers — though the M50x feels more durable.
Against the Sennheiser HD 280 Pro the M50x is better built and noticeably more comfortable with spare cables included — overall better value even at its higher price.
Some audiophiles argue the M50x is overhyped by casual buyers and there are headphones in its price range, such as the Sennheiser HD 58X, that outperform it for casual listening.
Reddit owners are split — many love their M50x for everyday music, while critics note it was over-hyped as the best closed-back ever, fuelling an audiophile backlash.
Sennheiser HD 505
At $250 the HD 505 is the cheapest genuine entry into Sennheiser's open-back lineage, but it lands in a brutal price band: the older HD 6XX/HD 600 and the new HD 550 both make a strong case against it, and Beyerdynamic and HiFiMan add more pressure.
The HD 505 competes in a crowded segment against Audio-Technica, Beyerdynamic and others in the sub-$300 price range.
It slots in beneath the benchmark HD 600 series while ticking plenty of boxes for music fans chasing sonic quality on a budget.
For around the same money you can get a used HD 650 or a new HD 6XX/HD 600 — any of which gives a truer representation of the source.
The HD 6XX is meaningfully less expensive and remains the indisputable value king — not just in Sennheiser's lineup but in headphones at this price range.
For $20 more the new HD 550 might steal some of the 505's thunder with even stronger bass and arguably less annoying treble peaks.
Some buyers may expect a more premium, metal-heavy build at this price — the build feels more plastic than premium.
Reviewers ding Sennheiser's HD 5xx naming convention as confusing, even as the headphone itself is well liked.
Owners note the same earpads carry across the 5xx models and aftermarket pads fit, though OEM pads are softer and insulate slightly better.
The standard connector layout means you can pair it with balanced aftermarket cables running 2.5mm, 4.4mm or XLR outputs.
It is easy to drive — loud enough above listening levels straight from an Apple USB-C dongle or a laptop's 3.5mm jack, though it also scales with an amp.
For best results, don't plug it straight into a phone or laptop — many reviewers recommend a dedicated dongle DAC or amp to get the most out of it.
Reviewers favour the 505 over the HD 560S for its subbass extension and wider soundstage, calling it a fix for the 560S's biggest issue — though some listeners still prefer the 560S's excitement.
Strong competition from HiFiMan price drops and Fiio's FT1 means the community will scrutinise how the 505 holds up at $250.
It is a great headphone for what it is and performs excellently for its price point — worth the money if you're shopping this space.